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New Sealed Undermind [Bonus DVD] - Phish Never Opened

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 New Sealed Undermind [Bonus DVD] - Phish Never Opened
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New Sealed Undermind [Bonus DVD] - Phish Never Opened

Category: Rock

Stereo

This is a new CD, and it is still sealed, never been opened! This CD would make a great addition to your collection! Please take a look at the picture for a better look at the condition. Thanks! Check out our other auctions for more CD. We Can Combine Items for shipping. Shipping is $3.00 in US and international shipping

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Barnes & Noble The idea of splitting up must almost certainly have been in the collective Phish subconscious during the recording of this, their de facto farewell album. Undermind is the most -- for lack of a better word -- "commercial" thing to have emerged from the lil' ol' band from Vermont in their two-decade history. The disc's initial single, "The Connection," clocks in at a sensible three minutes and doesn't veer off its chosen path, a trek through insistently chiming neo-R.E.M. territory, for even a moment. The burnished title track -- a sort of rustic funk groove that could've issued forth from Big Pink -- is just as concise, and every bit as warming. Keyboardist Page McConnell asserts himself a bit more here than usual, lacing Undermind with introspective, deliberate numbers, such as the subtly swelling "Army of One," that counterbalance the more skronky offerings cooked up by guitarist Trey Anastasio. In keeping with his fondness for dadaist digressions, Anastasio outdoes himself with "A Song I Heard the Ocean Sing," which reconciles garage-band stomp with Sun Ra?styled freakouts. In light of Phish's breakup announcement, Undermind leaves something of a bittersweet aftertaste, but the satisfaction in knowing the band are bowing out at the top of their game makes it easy to accentuate the positive. David Sprague All Music Guide What's important to remember is that Phish is the kind of band whose hallmark moments don't happen in the studio, but on-stage where they feel most at home. That said, Undermind continues in the longstanding tradition of almost but not quite capturing the full band on all cylinders. It's the difference between watching an animal in its native habitat and in a caged environment: not quite as exciting, but still a curiosity to respect and observe with interest. Like previous endeavors, the band wastes no time settling into familiar territory, favoring simple song structures and sketches over lengthy instrumental passages (a trait they've deliberately focused upon since Hoist nearly a decade ago). However, Undermind lacks the stylistic diversity that graced many of their earlier albums, opting for a more cohesive sound and tone throughout. Gone are the uptempo, peppy jams and forays into diverse musical waters, replaced here by a band whose members seem to be running on fumes at some points and a full tank of fuel on others. As always, the musicianship remains top-notch, a testament to the high standards of quality Phish have consistently maintained over the past two decades. There are moments

of typical Phish brilliance (e.g., opening and closing with an [unintentional?] homage to legendary Beach Boys collaborator Van Dyke Parks). Lyrics of surrealist imagery that border on haunting run rampant at times, and the album's closing moment ("Grind") serves as an uncomfortable swan song comparable to McCartney's happy accident at the end of Abbey Road. And while it wasn't publicly confirmed that Undermind was to be their last album (the bandmembers announced mere weeks before its release that this was to be their last record), shades of the band's winter could be subtly interpreted by various song lyrics (especially on "Undermind" and "Crowd Control"). And while the album is still more focused and a much-needed improvement over 2002's Round Room and their finest since Billy Breathes, Undermind is essentially the sound of four musicians growing tired of the limits they've imposed on one another after decades of albums and touring. However, if this is to be the band's curtain call, fans will find solace in a long line of live CDs for years to come. [This particular version of Undermind, All Music Guide Rolling Stone If Phish really are going out this time, they're going out in style. Mark Kemp

Songs

1. Scents and Subtle Sounds (Intro)

2. Undermind

3. The Connection

4. A Song I Heard the Ocean Sing

5. Army of One

6. Crowd Control

7. Maggie's Revenge

8. Nothing

9. Two Versions of Me

10. Access Me

11. Scents and Subtle Sounds

12. Tomorrow's Song

13. Secret Smile

14. Grind


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