The Prince of Tides by James Newton Howard (CD, Nov-1991, Columbia (USA))

Detailed item info

Album Features
UPC:	074644862720
Artist:	James Newton Howard
Format:	CD
Release Year:	1991
Record Label:	Columbia (USA)
Genre:	Pop Vocal

Track Listing
1. Prince of Tides: Main Title, The
2. Prince of Tides: eddy Bears, The
3. Prince of Tides: To New York, The
4. Prince of Tides: The Bloodstain, The
5. Prince of Tides: The Fish Market, The
6. Prince of Tides: The New York Willies, The
7. Prince of Tides: The Village Walk, The
8. Prince of Tides: Lila's Theme, The
9. Prince of Tides: Home Movies, The
10. Daddy's Home, The
11. Prince of Tides: The Hallway, The (Love Theme)
12. Prince of Tides: They Love You Dad, The
13. Prince of Tides: So Cruel, The
14. Prince of Tides: Savannah Awakes, The
15. Prince of Tides: Love Montage, The
16. Prince of Tides: Tom Comes Home, The
17. Prince of Tides: Outdoors, The
18. Prince of Tides: Tom's Breakdown, The
19. Prince of Tides: The Street, The
20. For All We Know
21. Prince of Tides: The Reunion, The
22. Prince of Tides: End Credits, The
23. For All We Know
24. Places That Belong to You

Details
Playing Time:	56 min.
Contributing Artists:	Barbra Streisand
Distributor:	Sony Music Distribution (
Recording Type:	Studio
Recording Mode:	Stereo
SPAR Code:	DDD

Album Notes
Original score by James Newton Howard.Producers: Barbra Streisand, James Newton Howard.Personnel: Barbra Streisand (vocals); Kirk Whalum (saxophone); Bobby Lyle (piano); Leroy Hyter (keyboards); Lionel Cordew (drums).Audio Mixers: John Arrias; Shawn Murphy; Bill Schnee.Recording information: Sony Studios.Photographers: Jurgen Vollmer; Francesco Scavullo.Unknown Contributor Role: Ari Sloane.Arrangers: Hummie Mann; Marty Paich; Brad Dechter.James Newton Howard's score for Barbra Streisand's The Prince of Tides is a delicate, pretty set of repetitive orchestral themes. Indeed, for a soundtrack, it is amazingly consistent in terms of tone, continually employing swelling strings and slowly played piano figures in what sounds more like music for an air freshener commercial than a drama. Streisand sings two songs at the end, neither of them heard as a vocal selection in the actual film. One is the old J. Fred Coots and Sam M. Lewis standard "For All We Know," and the other is the newly written "Places That Belong to You," with music by Howard and lyrics by Alan and Marilyn Bergman in their "The Way Were" mode. Both songs are typically well sung, but the oldie is the better tune. ~ William Ruhlmann