The Original BOOGIE WOOGIE Clarence Pine Top Smith TOMMY DORSEY Sheet Music NEW!

1 Item Set or Lot of "The Original BOOGIE WOOGIE" Song Folio Sheet Music by Clarence "Pine Top" Smith; Edited by Tiny Parham and as recorded by Tommy Dorsey and a barely related item. Includes:

ITEM 1.) Clarence "Pine Top" Smith; Tiny Parham, Editor; The Original BOOGIE WOOGIE, King of the Rhythm Novelties; Piano Solo, Song Folio Sheet Music; Piano / Vocal / Guitar; Complete Sheet Music; Edwin H. Morris & Company No. 03-00366-1354;

As recorded by Tommy Dorsey and His Orchestra;

Modern Size;

English Throughout;

Front Cover Artwork has text; NOTE: Unlike all other 34 Hit Parade Extras Series Items I have had for sale, This item is BLACK Ink on White Background, NOT Blue ink on White Background;

From the Library of the 34 Hit Parade Extras Series;

Preprinted Front Cover Price of $ .75;

Inside Front Cover has first page of music;

No Title Page or Table of Contents;

The Original Boogie Woogie - King of the Rhythm Novelties; Music by Clarence "Pine Top" Smith; Edited by Tony Parham;

1 Tune Total;

4 pages of music; With lyrics;

Inside Rear cover has last page of music;

Rear Cover has ad for "The Great 34 Hit Parade Extras Series";

Folded Sheet Format;

Condition Very Good for age and the fact that it was "on display" for some time; Covers Show Storage Wear; Pages Clean, Tight and Unmarked;

PLUS 2.) Victoria Advocate, Victoria, Texas; "Deaths Elsewhere - Longtime blues piano player Pinetop Perkins dies at 97"; Article clipped from the Victoria Advocate edition of March 23, 2011;.

The primary item was part of the collection of Henry J. Hauschild Jr., who billed himself as a â€œPhysiognomist â€“ Bibliopolist â€“ Cognoscente di Eccellentissimoâ€, and was the very proud owner of the world famous "Nose Galleryâ€ at â€œThe Oldest Houseâ€ in Victoria, Texas. Henry Senior founded the Hauschild Music Company which was later owned by his 8 children and eventually the four brothers before being closed in 1980; After the Opera House Restaurant failed, the space became the Bible Book Store and later Opera House Antiques; This item was part of the leftover inventory of the Music Store and at one time was on consignment at the Bible Book Store;

"Musicologist and historian, Delmer Rogers, longtime member of the staff of the Department of Music at the University of Texas, is of the opinion that the Hauschild Music Company, founded in Victoria, Texas in 1891, was the second oldest institution to commercially publish sheet music in Texas. (Thos. Goggan of Houston being the first.) Also, his extensive research indicates that Hauschild's was the first in Texas to issues music with Spanish titles. About thirty were published, many by talented writers, and sold in large numbers. In addition, probing seems to prove that Hauschilds was the first to publish the efforts of several of the music-loving Germans of the area. Most interesting, too, is that the spritely composition, the Cowboy Rag offered in 1904 possibly was the purcursor of this genre of popular music." taken from "The Cognoscenti Collections";

Buyer Pays Shipping and Handling - Minimum $ 5.00 in USA; Minimum $10.00 to Canada and Mexico; Minimum $15.00 to European & Pacific Rim countries; other As Agreed. Thank you. Email for additional information & scan. Serving Recorded Music, Sheet music, Texana, transportation and travel collectors worldwide since 1971; please visit our many other auctions and store listings; I try to list 70 items per week.

NOTE: GENERIC PHOTO - REPRESENTATIVE, BUT NOT THE ACTUAL ITEM in this lot.;

HISTORICAL NOTE: "Clarence Smith, better known as Pinetop Smith or Pine Top Smith (June 11, 1904 â€“ March 15, 1929) was an American boogie-woogie style blues pianist. His hit tune, "Pine Top's Boogie Woogie," featured rhythmic "breaks" that were an essential ingredient of ragtime music.nHe was a posthumous 1991 inductee of the Alabama Jazz Hall of Fame. Smith was born in Troy, Alabama & raised in Birmingham, Alabama. He received his nickname as a child from his liking for climbing trees. In 1920 he moved to Pittsburgh, Pennsylvania, where he worked as an entertainer before touring on the T. O. B. A. vaudeville circuit, performing as a singer & comedian as well as a pianist. For a time he worked as accompanist for blues singer Ma Rainey & Butterbeans & Susie. In the mid 1920s he was recommended by Cow Cow Davenport to J. Mayo Williams at Vocalion Records, & in 1928 he moved, with his wife & young son, to Chicago, Illinois to record. For a time he, Albert Ammons, & Meade Lux Lewis lived in the same rooming house. On 29 Dec. 1928 he recorded his influential "Pine Top's Boogie Woogie," one of the 1st "boogie woogie" style recordings to make a hit, & which cemented the name for the style. Pine Top talks over the recording, telling how to dance to the number. He said he originated the number at a house-rent party in St. Louis, Missouri. Smith was the 1st ever to direct "the girl with the red dress on" to "not move a peg" until told to "shake that thing" & "mess around". Smith was scheduled to make another recording session for Vocalion in 1929, but died from a gunshot wound in a dance-hall fight in Chicago the day before the session. Sources differ as to whether he was the intended recipient of the bullet. "I saw Pinetop spit blood" was the famous headline in Down Beat magazine. No photographs of Smith are known to exist. Smith was acknowledged by other boogie woogie pianists such as Albert Ammons & Pete Johnson as a key influence, & he gained posthumous fame when "Boogie Woogie" was arranged for big band & recorded by Tommy Dorsey & His Orchestra in 1938. Although not immediately successful, "Boogie Woogie" was so popular during & after World War II that it became Dorsey's best selling record, with over five million copies sold. Bing Crosby also recorded his version of the song. From the 1950s, Joe Willie Perkins became universally known as "Pinetop Perkins" for his recording of "Pinetop's Boogie Woogie". Perkins later became Muddy Waters' pianist & later, when in his nineties, recorded a song on his 2004 Ladies' Man album, which played on the by-then-common misconception that Perkins had himself written "Pinetop's Boogie Woogie". Ray Charles adapted "Pine Top's Boogie Woogie" for his song "Mess Around", for which the authorship was credited to "A. Nugetre", Ahmet Ertegun. In 1975 the Bob Thiele Orchestra recorded a modern jazz album called I Saw Pinetop Spit Blood that included a treatment of "Pinetop's Boogie Woogie" as well as the title song. Gene Taylor recorded a version of "Pinetop's Boogie Woogie" on his eponymous 2003 album.";

HISTORICAL NOTE: "Hartzell Strathdene "Tiny" Parham (Feb. 25, 1900, Winnipeg, Canada â€“ April 4, 1943, Milwaukee, Wisconsin) was a Canadian-born American jazz bandleader & pianist of African-American descent. Parham grew up in Kansas City where he worked as a pianist at The Eblon Theatre being mentored by the ragtime pianist & composer James Scott, and later touring with territory bands in the Southwestern US before moving to Chicago in 1926. He is best remembered for the recordings he made in Chicago between 1927 & 1930, as an accompanist for Johnny Dodds & several female blues singers as well as with his own band. Most of the musicians Parham played with are not well known in their own right, though cornetist Punch Miller, banjoist Papa Charlie Jackson, saxophone player Junie Cobb & bassist Milt Hinton are exceptions. His entire recorded output for Victor are highly collected & appreciated as prime examples of late 1920's jazz. Parham favored the violin & many of his records have a surprisingly sophisticated violin solos, along with the typical upfront tuba, horns & reeds. After 1930 Parham found work in theater houses, especially as an organist; his last recordings were made in 1940. His entire recorded output fits on two compact discs. The cartoonist R. Crumb included a drawing of Parham in his classic 1982 collection of trading cards & later book "Early Jazz Greats". Parham was the only non-American born so included. The book also includes a bonus cd which has a Parham track.";

HISTORICAL NOTE: "Joseph William Perkins (July 7, 1913 â€“ March 21, 2011), known by the stage name Pinetop Perkins, was an American blues musician, specializing in piano music. He played with some of the most influential blues & rock & roll performers in American history, & received numerous honors during his lifetime including the Grammy Lifetime Achievement Award, & induction into the Blues Hall of Fame. Perkins was born in Belzoni, Mississippi, US. He began his career as a guitarist, but then injured the tendons in his left arm in a fight with a choirgirl in Helena, Arkansas. Unable to play guitar, Perkins switched to the piano, & also switched from Robert Nighthawk's KFFA radio program to Sonny Boy Williamson's King Biscuit Time. He continued working with Nighthawk, however, accompanying him on 1950's "Jackson Town Gal". In the 1950s, Perkins joined Earl Hooker & began touring, stopping to record "Pinetop's Boogie Woogie" (written by Pinetop Smith) at Sam Phillips' studio in Memphis, Tennessee. ("They used to call me Pinetop," he recalled, "because I played that song.") However, Perkins was only 15 years old in 1928, when Smith originally recorded "Pinetop's Boogie Woogie". Perkins then relocated to Illinois & left the music business until Hooker convinced him to record again in 1968. When Otis Spann left the Muddy Waters band in 1969, Perkins was chosen to replace him. He stayed for more than a decade, then left with several other musicians to form The Legendary Blues Band with Willie "Big Eyes" Smith, recording through the late 1970s, 1980s & early 1990s. Perkins played a brief musical cameo on the street outside Aretha's Soul Food Cafe in the 1980 movie The Blues Brothers, having an argument with John Lee Hooker over who wrote "Boom Boom." He also appeared in the 1987 movie Angel Heart as a member of guitarist Toots Sweet's band. Although he appeared as a sideman on countless recordings, Perkins never had an album devoted solely to his artistry, until the release of After Hours on Blind Pig Records in 1988. The tour in support of the album also featured Jimmy Rogers & Hubert Sumlin. His robust piano is fairly presented in On Top (1992), an easy-going recital of blues standards with his old Waters' associate, Jerry Portnoy on harmonica. In 1998 Perkins released the album Legends featuring guitarist Hubert Sumlin. Perkins was driving his automobile in 2004 in La Porte, Indiana, when he was hit by a train. The car was wrecked, but the 91-year-old driver was not seriously hurt. Until his death, Perkins lived in Austin, Texas. He usually performed a couple of nights a week at Nuno's on Sixth Street. In 2005, Perkins received the Grammy Lifetime Achievement Award. In 2008, Perkins received a Grammy Award for Best Traditional Blues Album for Last of the Great Mississippi Delta Bluesmen: Live In Dallas together with Henry James Townsend, Robert Lockwood, Jr. and David Honeyboy Edwards. He was also nominated in the same category for his solo album, Pinetop Perkins on the 88's: Live in Chicago. The song "Hey Mr. Pinetop Perkins", performed by Perkins & Angela Strehli, played on the common misconception that Perkins wrote "Pinetop's Boogie Woogie":

Hey Mr. Pinetop Perkins

I got a question for you

How'd you write that first boogie woogie

The one they named after you

At the age of 97, he won a Grammy Award for Best Traditional Blues Album for Joined at the Hip, an album he recorded with Willie "Big Eyes" Smith. Perkins thus became the oldest-ever Grammy winner, edging out comedian George Burns who had won in the spoken word category 21 years earlier (he had tied with Burns, at the age of 95, in 2004). A little more than a month later, Perkins died on 21 March 2011 at his home in Austin, Texas. At the time of his death, the musician had more than 20 performances booked for 2011. Shortly before that, while discussing his late career resurgence with an interviewer, he conceded, "I can't play piano like I used to either. I used to have bass rolling like thunder. I can't do that no more. But I ask the Lord, please forgive me for the stuff I done trying to make a nickel." Along with David "Honeyboy" Edwards, he was one of the last two original Mississippi Delta blues musicians, & also to have a personal knowledge of, & friendship with, Robert Johnson. Selected discography:

1976: Boogie Woogie King (recorded 1976, released 1992)
1977: Hard Again (Muddy Waters)
1988: After Hours
1992: Pinetop Perkins with the Blue Ice Band
1992: On Top
1993: Portrait of a Delta Bluesman
1995: Live Top (with the Blue Flames)
1996: Eye to Eye (with Ronnie Earl, Willie "Big Eyes" Smith and Calvin â€œFuzzâ€ Jones)^[8]
1997: Born in the Delta
1998: Sweet Black Angel
1998: Legends (with Hubert Sumlin)
1998: Down In Mississippi
1999: Live at 85! (with George Kilby Jr)
2000: Back On Top
2003: Heritage of the Blues: The Complete Hightone Sessions
2003: All Star Blues Jam (with Bob Margolin et al.)
2004: Ladies Man
2007: 10 Days Out: Blues From The Backroads (with Kenny Wayne Shepherd and the Muddy Waters Bandâ€”Live)
2008: Pinetop Perkins and Friends
2010: Joined At the Hip (with Willie "Big Eyes" Smith)";

HISTORICAL NOTE: "Thomas Francis "Tommy" Dorsey, Jr. (Nov. 19, 1905 â€“ Nov. 26, 1956) was an American jazz trombonist, trumpeter, composer, & bandleader of the Big Band era. He was known as "The Sentimental Gentleman of Swing", due to his smooth-toned trombone playing. He was the younger brother of bandleader Jimmy Dorsey. After Dorsey broke with his brother in the mid-1930s, he led an extremely popular & highly successful band from the late 1930s into the 1950s. He remains a famous big bandleader of the swing era into the 21st century. Thomas Francis Dorsey, Jr. was born in Shenandoah, Pennsylvania, the 2nd of four children born to Thomas Francis Dorsey, Sr. & Theresa (nÃ©e Langton) Dorsey. The Dorsey brothers' two younger siblings were Mary & Edward (who died young). At age 15, Jimmy Dorsey recommended his brother Tommy as the replacement for Russ Morgan in the germane 1920s territory band "The Scranton Sirens." Tommy & Jimmy worked in several bands, including those of Tal Henry, Rudy Vallee, Vincent Lopez, Nathaniel Shilkret, & especially Paul Whiteman. In 1929, the Dorsey Boys had their 1st hit with "Coquette" for OKeh records. The Dorsey Brothers band signed with Decca records in 1934, having a hit with "I Believe In Miracles". Future bandleader Glenn Miller was a member of the Dorsey Brothers Orchestra in 1934 & 1935, composing "Annie's Cousin Fanny" & "Dese Dem Dose" both recorded for Decca for the band. Ongoing acrimony between the brothers, however, led to Tommy Dorsey's walking out to form his own band in 1935, just as the orchestra was having a hit with "Every Little Moment." Tommy Dorsey's 1st band was formed out of the remains of the Joe Haymes band. This began Dorsey's long-running practice of raiding other bands for talent. If he admired a vocalist, musician, or arranger, he would think nothing of taking over their contracts & careers. Dorsey had a reputation for being a perfectionist. He was volatile & also known to hire & fire (& sometimes rehire) musicians based on his mood. The new band was popular from almost the moment it signed with RCA Victor with "On Treasure Island", the 1st of four hits for the new band in 1935. The Dorsey band had a national radio presence in 1936 1st from Dallas & then from Los Angeles. Tommy Dorsey & his Orchestra took over comedian Jack Pearl's radio show in 1937. By 1939, Dorsey was aware of criticism that his band lacked a jazz feeling. He hired arranger Sy Oliver away from the Jimmie Lunceford band. Sy Oliver's arrangements include "On The Sunny Side of the Street" & "T.D.'s Boogie Woogie"; Oliver also composed two of the new band's signature instrumentals, "Well, Git It" & "Opus One". In 1940, Dorsey hired singer Frank Sinatra from bandleader Harry James. Frank Sinatra made eighty recordings from 1940 to 1942 with the Dorsey band. Two of those eighty songs are "In The Blue of Evening" & "This Love of Mine". Frank Sinatra achieved his 1st great success as a vocalist in the Dorsey band & claimed he learned breath control from watching Dorsey play trombone. In turn Dorsey said his trombone style was heavily influenced by that of Jack Teagarden. Among Dorsey's staff of arrangers was Axel Stordahl who arranged for Frank Sinatra in his Columbia & Capitol records years. Another member of the Dorsey band was trombonist Nelson Riddle, who later had a partnership as one of Sinatra's arrangers & conductors in the 1950s & afterwards. Another noted Dorsey arranger, who in the 1950s, married & was professionally associated with Dorsey veteran Jo Stafford, was Paul Weston. Bill Finegan, an arranger who left Glenn Miller's civilian band, arranged for the Tommy Dorsey band from 1942 to 1950. The band featured a number of future famous instrumentalists, singers & arrangers in the 1930s & '40s, including trumpeters Zeke Zarchy, Bunny Berigan, Ziggy Elman, Carl "Doc" Severinsen, & Charlie Shavers, pianists Milt Raskin, Jess Stacy, clarinetists Buddy DeFranco, Johnny Mince, & Peanuts Hucko. Others who played with Dorsey were drummers Buddy Rich, Louie Bellson, Dave Tough & singers Frank Sinatra, Jack Leonard, Edythe Wright, Jo Stafford with The Pied Pipers, Dick Haymes & Connie Haines. In 1944, Dorsey hired The Sentimentalists who replaced The Pied Pipers. Dorsey also performed with singer Connee Boswell Dorsey hired ex-bandleader & drummer Gene Krupa after Krupa's arrest & scandal for marijuana possession in 1943. In 1942 Artie Shaw broke up his band & Dorsey hired the Shaw string section. As George Simon in Metronome magazine notes at the time, "They're used in the foreground & background (note some of the lovely obbligatos) for vocal effects & for Tommy's trombone." As Dorsey became successful he made business decisions in the music industry. He loaned Glenn Miller money to launch Miller's successful band of 1938, but Dorsey saw the loan as an investment, entitling him to a percentage of Miller's income. When Miller balked at this, the angry Dorsey got even by sponsoring a new band led by Bob Chester, & hiring arrangers who deliberately copied Miller's style & sound. Dorsey branched out in the mid-1940s & owned two music publishing companies, Sun & Embassy. After opening at the Los Angeles ballroom, The Hollywood Palladium on the Palladium's 1st night, Dorsey's relations with the ballroom soured & he opened a competing ballroom, The Casino Gardens circa 1944. Dorsey also owned for a short time a trade magazine called The Bandstand. Tommy Dorsey disbanded his own orchestra at the end of 1946. Dorsey might have broken up his own band permanently following World War II, as many big bands did due to the shift in music economics following the war, but Tommy Dorsey's album for RCA, "All Time Hits" placed in the top ten records in Feb., 1947. In addition, "How Are Things In Glocca Morra?" a single recorded by Dorsey became a top ten hit in March, 1947. Both of these successes made it possible for Dorsey to re-organize a big band in early 1947. The Dorsey brothers were also reconciling. The biographical film of 1947, The Fabulous Dorseys describes sketchy details of how the brothers got their start from-the-bottom-up into the jazz era of one-nighters, the early days of radio in its infancy stages, & the onward march when both brothers ended up with Paul Whiteman before 1935 when The Dorsey Brothers' Orchestra split into two. In the early 1950s, Tommy Dorsey moved from RCA Victor back to the Decca record label. Jimmy Dorsey broke up his own big band in 1953. Tommy invited him to join up as a feature attraction & a short while later, Tommy renamed the band the Tommy Dorsey Orchestra featuring Jimmy Dorsey. In 1953, the Dorseys focused their attention on television. On Dec. 26, 1953, the brothers appeared with their orchestra on Jackie Gleason's CBS television show, which was preserved on kinescope & later released on home video by Gleason. The brothers took the unit on tour & onto their own television show, Stage Show, from 1955 to 1956. On numerous episodes,they introduced future noted rock musician Elvis Presley to national television audiences, prior to Presley's better known appearance on the "Ed Sullivan Show". Dorsey's married life was varied &, at times, lurid. His 1st wife was 16-year-old Mildred Kraft, with whom he eloped in 1922, when he was 17. They had two children, Patricia & Tom (nicknamed "Skipper"). They divorced in 1943 after Dorsey's affair with his former singer Edythe Wright. He then wed movie actress Pat Dane in 1943, & they were divorced in 1947, but not before he gained headlines for striking actor Jon Hall when Hall embraced Dorsey's wife. Finally, Dorsey married Jane Carl New on March 27, 1948 in Atlanta, Georgia. She had been a dancer at the Copacabana nightclub in New York City. Tommy & Jane Dorsey had two children, Catherine Susan & Steve. On Nov. 26, 1956, Tommy Dorsey died at age 51 in his Greenwich, Connecticut home. Dorsey had eaten a heavy meal & began choking in his sleep. Dorsey customarily began taking sleeping pills regularly at this time; therefore, he was so sedated that he was unable to awaken & died from choking. Jimmy Dorsey led his brother's band until his own death of lung cancer the following year. At that point, trombonist Warren Covington assumed leadership of the band with Jane Dorsey's blessing as she owned the rights to her late husband's band & name. Billed as the "Tommy Dorsey Orchestra Starring Warren Covington", they topped the charts in 1958 with Tea For Two Cha-Cha. After Covington led the band for a short period, Sam Donahue led it starting in 1961, continuing until the late 1960s. Buddy Morrow conducted the Tommy Dorsey orchestra until his death on Sept. 27, 2010. Jane Dorsey died of natural causes at the age of 79, in Miami, Florida in 2003. Tommy & Jane Dorsey are interred together in Kensico Cemetery in Valhalla, New York. Tommy Dorsey had a run of 286 Billboard chart hits. The Dorsey band had 17 number one hits with his orchestra in the 1930s & 1940s including: "On Treasure Island", "The Music Goes 'Round & Around", "You", "Marie" (written by Irving Berlin), "Satan Takes a Holiday", "The Big Apple", "Once in a While", "The Dipsy Doodle", "Our Love", "All the Things You Are", "Indian Summer", & "Dolores". He had two more number one hits in 1935 when he was a member of the Dorsey Brothers Orchestra: "Lullaby of Broadway", number one for two weeks, & "Chasing Shadows", number one for three weeks. His biggest hit was "I'll Never Smile Again", featuring Frank Sinatra on vocals, which was number one for twelve weeks on the Billboard pop singles chart in 1940. "In the Blue of Evening" was number 1 on the Billboard pop singles chart in 1943. Songs written by Tommy Dorsey:

Written in 1929: "You Can't Cheat A Cheater" with Phil Napoleon & Frank Signorelli

1932: "Three Moods"

1937: "The Morning After"

1938: "Chris & His Gang" with Fletcher & Horace Henderson

Also, Tommy Dorsey wrote the song "Peckin' With Penguins" for a 1938 Frank Tashlin directed Porky Pig cartoon, "Porky's Spring Planting" for the studio Warner Bros.

1939: "To You", "This Is No Dream", "You Taught Me To Love Again", "In The Middle Of A Dream", "Night In Sudan".

1945: "Fluid Jive" & "Fried Chicken"

1946: "Nip & Tuck"

1947: "Trombonology"

Tommy Dorsey also co-wrote "Bunch of Beats", "Mid Riff", & "Candied Yams" with Fred Norman. In 1982, the 1941 Victor recording "I'll Never Smile Again" was the 1st of a trio of Tommy Dorsey recordings to be inducted into the Grammy Hall of Fame. His theme song, "I'm Getting Sentimental Over You" was inducted in 1998, along with his recording of "Marie" written by Irving Berlin in 1928. Discography:

1961: The One & Only Tommy Dorsey (RCA Camden)
1966: Tommy Dorsey's Dance Party (Vocalion)
1976: Tommy Dorsey (1937 - 1941) (AMIGA)
The Essence of Tommy Dorsey (1935-1949 recordings under RCA, reissued under Phantom Sound & Vision)
This is Tommy Dorsey, Volume 1 (1935-1944 recordings under RCA, reissued by Collectibles)
1988: All-Time Greatest Dorsey/Sinatra Hits, Vol. 1-4 (RCA)
1982: The Dorsey/Sinatra Sessions (RCA)
1990: Yes, Indeed! (Bluebird/RCA)
1991: Music Goes Round & Round (Bluebird/RCA)
1994: Stop, Look & Listen (1994) (ASV/Living Era Records)
1999: The V-Disc Recordings (Collectors' Choice Music)
1999: 1937, Vol. 3
2001: This Is Tommy Dorsey & His Orchestra, Vol. 1 (Collectables Records)
2004: 1939, Vol. 3
2004: Tommy Dorsey: The Early Jazz Sides: 1932 - 1937 (Jazz Legends)
2004: It's D'Lovely 1947-1950 (Hep Records)

Filmography:

Segar Ellis & His Embassy Club Orchestra (1929)
Alice Bolden & Her Orchestra (1929)

Tommy Dorsey & his Orchestra appear in the following films for the studios Paramount, MGM, Samuel Goldwyn, Allied Artists & United Artists:

Las Vegas Nights (1941)
Ship Ahoy (1942)
Presenting Lily Mars(1943)
Girl Crazy (1943)
Du Barry Was a Lady (1943)
Thrill of a Romance (1945)
The Great Morgan (1946)
The Fabulous Dorseys (1947)
A Song Is Born (1948)
Disc Jockey (1951)

The Dorsey Brothers appear in the 1953 16-minute Universal-International film called The Dorsey Brothers Encore. Noted Sidemen: Noni Bernardi (1911â€“2006), big-band musician & member of the Los Angeles, California, City Council, 1961â€“93.";

The Original BOOGIE WOOGIE Clarence Pine Top Smith TOMMY DORSEY Sheet Music NEW!

Filmography:

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