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AN OPERATIC RECITAL BY FLAVIANO LABO WITH ORCHESTRA OF L'ACCADEMIA DI SANTA CECI
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AN OPERATIC RECITAL BY FLAVIANO LABO WITH ORCHESTRA OF L'ACCADEMIA DI SANTA CECI

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AN OPERATIC RECITAL BY FLAVIANO LABO WITH ORCHESTRA OF L'ACCADEMIA DI SANTA CECI

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Ended: Feb. 15, 2012 12:16:01
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Here for your delectation is the SPECTACULAR & RARE------------------AN OPERATIC RECITAL BY FLAVIANO LABO WITH ORCHESTRA OF L'ACCADEMIA DI SANTA CECILIA, ROME /FERNANDO PREVITALI, CONDUCTOR LP.

Superlative performances of great opera arias by the a sublime tenor! Each performance is a gem.

Flaviano Labò (February 1, 1927 – February 13, 1991), was an Italian operatic tenor, particularly associated with heroic roles of the Italian repertory.

Labò was born at Borgonovo, near Piacenza. While in the army, he came to the notice of the conductor Antonino Votto, and subsequently studied with Ettore Campogalliani in Parma, Renato Pastorino in Milan and Valentino Metti in Piacenza. He made his stage debut at the Teatro Municipale in Piacenza, as Cavaradossi in Tosca, in 1954.

He quickly sang widely in Italy and various European opera houses, as well as in South America, before making his debut on November 29, 1957, at the Metropolitan Operain New York, as Alvaro in La forza del destino, where he sang thirteen roles in eight seasons, including Alfredo in La traviata, Manrico in Il trovatore, and Radamès in Aïda. In 1959, he sang at the New York City Operaas Calaf in Puccini's Turandot (conducted by Julius Rudel) and Rodolfo in La bohème (opposite Chester Ludginas Marcello). He also appeared at the San Francisco Opera, and the opera houses of Philadelphia, Houston, and New Orleans.

Other important debuts were at the Royal Opera Housein London, and the Palais Garnierin Paris, both as Radamès in Aïda in 1959. He first sang at La Scalain Milan, in the title role of Don Carlos, in 1960. He appeared at the Maggio Musicale Fiorentinoin 1967, as Gualtiero in Il pirata, opposite Montserrat Caballé, and was a regular guest at the Verona Arena. He also made guest appearances at the Vienna State Opera, the Zurich Opera, the Teatro Nacional Sao Carlosin Lisbon, and the Teatro Colónin Buenos Aires.

Labò was admired for his robust, typically Italianate voice, and his direct unaffected manner; other notable roles included Macduff in Verdi's Macbeth, Enzo in La Gioconda, and Turiddu in Mascagni's Cavalleria rusticana. His last performance was in Turin, as Ismaele in Nabucco, in 1987. He died in in an automobile accident caused by fog in Milanat the age of 64.

He made relatively few recordings.

Fernando Previtali (16 February 1907 Adria, Italy – 1 August 1985, Rome, Italy) was an Italian conductor, particularly associated with the Italian repertory, especially Verdioperas.

He studied at the Music Coservatory in Turin, and later with Franco Alfano. He began his career as assistant conductor to Vittorio Guiin Florencefrom 1928 to 1935, and later in Genoafrom 1935 to 1936.

He was artistic director of the Radio Italiana (RAI) Orchestra from 1936 until 1953, and conducted the Verdi cycle in 1951, to commemorate the composer's 50th death anniversary, and left recordings of Nabucco, Ernani, La battaglia di Legnano, Il trovatore, and Don Carlo. He also conducted at all the major opera houses of Italy, and was principal conductor at the Teatro Colónin Buenos Airesin the 1960s. He was appointed artistic director of the Teatro Regio in Turin in 1970, and later of the Teatro Comunale in Genoa.

He conducted the first performances of Dallapiccola's Volo di notte and Ghedini's Rè Hassan and Le Baccanti.

His students included the British conductor Meredith Davies.

HIGHLY RECOMMENDED!!!

This is the London 5408 lp record. Both the cover and the record are in excellent condition. There are no visible scratches under normal light (see photo). Check my feedback to see that I sell exactly as I describe. So bid now to own this magnificent, impossible-to-find RECORD COLLECTIBLE.

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